Publication Title

Revista de Estudios Hispanicos

Document Type

Article

Department or Program

Latin American Studies

Publication Date

3-1-2017

Keywords

Argentina, Film studies, History, Judaism, Politics

Abstract

This article analyzes Jeanine Meerapfel's 2012 film El amigo alemán (coproduced in Germany and Argentina) and focuses on the tensions between friendship, religion, and politics in the protagonists' forty-year friendship. Using Carl Schmitt's categories of friendship and enmity vis-à-vis politics, we see that friendship facilitates political identities yet, paradoxically, political identities can ultimately impede friendship. This study focuses on Meerapfel's film's representation of post-World War II Argentina, the 1968 student movements in Europe, and (post-)dictatorial Argentina as key moments in twentieth-century politics in which the film's characters must grapple with their own identities and political participation. These processes are encumbered by the ethical and historical weight of their respective families' histories as Jews and Nazis, respectively. This study of Meerapfel's film reveals the interplays between liberation struggles and religious identities as too difficult a sociopolitical landscape to navigate, whereby the film's protagonists are only finally able to relate to each other by detaching themselves from the historical weight of these tensions that continue to go unresolved.

Comments

Original version is available from the publisher at: https://doi.org/10.1353/rvs.2017.0005

Copyright Note

This is the publisher's version of the work. This publication appears in Bates College's institutional repository by permission of the copyright owner for personal use, not for redistribution.

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